What We Do in the Shadows (2014) R 86 min Comedy, Horror Viago, Deacon and Vladislav are vampires who are finding that modern life has them struggling with the mundane - like paying rent, keeping up with the chore wheel, trying to get into nightclubs and overcoming flatmate conflicts. May 10, 2019  Anyone who watched Wednesday night’s episode of “What We Do in the Shadows” would be forgiven if they double-checked to make sure that.

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If you've ever wondered what life would be like for a group of vampires living on Staten Island, FX's new comedy series What We Do in The Shadows has your answers.The series is based on the 2014 film of the same name by Jermaine Clement and Taika Waititi who both serve as Executive Producers on the show along with Paul Simms, Scott Rudin, Garrett Basch, and Eli Bush.It's an amusing, documentary-style look into their daily lives and what happens when their leader arrives in the New World to remind them of why they're there in the first place - total world domination. Guillermo changed his mind about punishing Nandor, but the Baron might not fare so well. We don't know yet if Guillermo was the one who let sunlight into the basement, but who else would have removed that plank?Nandor is by far my favorite member of the family.

He's completely nuts, and the only relentless thing about him is his wackiness.He wants to be the vamp in charge, and he is in his head, but his housemates (except for Guillermo) have no respect for him.Nandor: I would like us to get a colorful dust that sparkles.Guillermo: Glitter?Nandor: Yes, get me some glitter.Guillermo: Whatever for, Master?Nandor: Well, I want to do something special for the immortal one's arrival. I am going to sprinkle it on my face and on my body. Like Twilight. Permalink:.The way he walks around with his flowing warrior cape like he's the king of fashion is ridiculous, but the way his mind operates is what makes him so entertaining.The best and most hilarious moment of the premiere came when he and Guillermo were shopping for the Baron's big arrival.Not only did he develop an instant and deep love affair with 'creepy paper' (crepe paper), but his desire to purchase glitter so he could sprinkle it on his body and face 'like Twilight' showed just how preposterous he is.

And the fool actually did turn himself into Sparkly Edward when he put it all over his face to try to impress the Baron. At least he realized how stupid he looked after the night turned into a disaster.Still, just writing about that moment cracks me up, and I can't wait to see how his goofiness develops over the course of the season.Do you remember that first time we made love? It was so passionate, I accidentally cut off your head. Nadja.

Permalink:.Nadja (Natasia Demetriou) and Lazlo (Matt Berry) are the show's resident couple who have been together for quite some time, Nadja having converted Lazlo many moons ago.Lazlo is a narcissist with a filthy mouth. Nadja is smart and sassy and always has sex on her mind.Like Nandor, they are surprised by that the Baron will be visiting but they're also titillated because they both had separate love affairs with the big boss which they are more than eager to share with the documentary crew.It defines them as much as their ridiculous outfits which they proudly wear in public not even realizing that their 'dressed down' look has the opposite effect of what they desire which is to not draw attention to themselves.

Nadja is the more interesting of the two mostly because her life doesn't revolve around living in the house. She has a secret crush on a human named Jeff Suckler (yep) that she thinks is a reincarnation of her old flame from the old country, Gregor.Jeff is a loser but he's completely intrigued by this woman who seems to have formed some connection with him and likes to talk dirty. She's the woman of any lonely pervert's dreams, and Jeff is a pretty lonely guy.We've been very careful not to stand out.

Which is why we dress down. Lazlo. Permalink:.While we didn't spend a lot of time with him, we also meet Colin Robinson who is an energy vampire. Out of all the players, he's the most boring and that's probably the point.

Are usually thought of as the quintessential British instrumental group and, along with the American band and the Swedish group, one of the most popular instrumental groups in the world. But that barely tells the story of their true significance in the history of British rock & roll - including the fact that they were the first home-grown British rock & roll band to dominate the U.K. Charts; or that they weren't originally an instrumental group, either. The band's roots go back to Chesthunt, Hertfordshire, in early 1958, when a young Indian-born singer/guitarist named Harry Webb joined with drummer Terry Smart and guitarist to form a group that they ended up calling - at the time, none of the records by the American R&B group of the same name, founded by, had been released in England, so they had no inkling of the name's already being used.The group played their first performance in March of 1958 at a dinner dance and, after a few weeks of local performances, they debuted at the 2I's coffee bar in London's Soho. The 2I's was renowned as the venue where had been discovered, and was occasionally visited by producers, recording engineers, and managers in search of new talent - it had, thus, become something of a rock & roll Mecca. The Drifters weren't signed overnight, but they did become immensely popular, playing some very convincingly American-style rock & roll, at least by the standards of the time in London. Indeed, at their shows, audiences were usually packed in too closely to dance, and the ten pounds they made each week between them in the beginning was serious money for three amateur musicians.

In the course of their 2I's gigs over the next few weeks, they picked up one fan, John Foster, who became their first manager, and another, who joined them as a guitarist - interestingly, they had no bassist in their lineup and didn't for quite a while, which set them apart from other bands but didn't seem to impede their progress.The first of two name changes came up when they got an outside booking in Derbyshire - at that point, Foster decided that 'the ' wasn't impressive enough as a name by itself, and wanted their vocalist to have lead billing. At that point, as the singer observed 40 years later, 'Harry Webb didn't sound very rock & roll.'

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And so, after some pondering of the possibilities, he picked up a stage name, with recommending that the 's' be left off. And were born. A little more than 40 years later, he was.By that time, the group was a quintet of (who still played guitar as well as singing, in the early days), (on third guitar), and Terry Smart - and still no bassist. This five-man group recorded a demo in June of 1958, of 'Breathless' b/w 'Lawdy Miss Clawdy,' which found its way to, a producer at EMI who, after seeing them in an audition, signed to the company's Columbia label.

And in July of 1958 the group, augmented by session guitarist playing lead and on bass, backed on his debut single, 'Schoolboy Crush' b/w 'Move It,' credited to '.' The A-side was a pleasant, loping slow-tempo piece of teen pop/rock worthy of at his wimpiest; but 'Move It' - authored by, no less - was a pounding, driving rocker in the best manner. And fortunately for all concerned, the record was 'flipped' and 'Move It' became the A-side. The record, released in late August, reached number two on the charts, and as it was climbing the listings, began a series of appearances on the television show Oh Boy!

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In mid-September. All of these events - the recording contract, the single, the chart placement - ensured 's emergence to stardom, but, at first, were another matter. For that first year, the music was pure rock & roll on-stage and in the studio. The group's sound was toughened further in November when dropped out of performing in favor of further cultivating his songwriting (which served him in good stead, along with producing, for the rest of his life); he was replaced by, who became the first stylistically important and notable rock & roll bassist in England, and almost single-handedly popularized the electric bass in British rock & roll. A second hit, 'High Class Baby,' made it to number seven in December of 1958, and a follow-up, 'Livin' Lovin' Doll' b/w 'Mean Streak,' reached the Top 20 in January of 1959. And in early 1959, a drummer who was already making a good living in his mid-teens as a session musician, replaced Terry Smart, the last of the original. This was the version of the group that was finally signed in their own right to EMI.

An album followed in February of 1959, cut live before an audience of extremely fervent fans at Abbey Road's Studio No. 1, which was issued under the title.The Drifters name was changed to the Shadows in mid-1959 to avoid a conflict with the American R&B group, which had experienced a resurgence of popularity and whose records - starting with 'There Goes My Baby' - were getting issued in England. The newly rechristened dominated British rock & roll for the next four years.

And beyond 's fame, and all became stars in their own right, with and regarded as one of the best rhythm sections in the business, with a huge fan following of their own, while and were directly responsible for the sales of tens of thousands of electric guitars to teenagers. A story out of the early history of the illustrates their dominance - and, both in their mid-teens at the time, knew that and the Shadows were to appear on television one evening, and both were watching from their respective homes to look at to see exactly how the intro to 'Move It' was played. There was an effort early in 1959 to push as a star in his own right, separate from the band, but it didn't come from the music side of the entertainment business - rather, he was signed to play an important supporting role in the gritty juvenile delinquency drama Serious Charge.

Later that same year, he and the Shadows were all seen in the comedy/drama Expresso Bongo, essentially playing dramatizations of themselves.Practically overnight in the fall of 1958, the -cum- had become the top rock & roll band in England, a status they maintain even as 's singing career was gradually steered toward more mainstream pop and ballads. The band began to emerge as a recording act on their own while they were still known as, in January of 1959, with the single 'Feelin' Fine,' a group vocal effort, the B-side of which, 'Don't Be a Fool with Love,' even featured them doing -style harmony singing. A second single, 'Jet Black' b/w 'Driftin' (still credited to ), was released in July of that year.

And a third record, 'Saturday Dance' b/w 'Lonesome Fella,' credited to the Shadows, and featuring vocals, was released in late 1959. All three were ignored by the public.And then, in June of 1960, they recorded 'Apache,' an instrumental composed by that had previously been done by guitarist - and it topped the charts, riding the number one spot for five weeks. Over the next three years, they charted high with the singles 'Man of Mystery,' 'F.B.I.,' 'The Frightened City,' 'Wonderful Land,' and 'Kon Tiki,' the latter two reaching number one. All of these records showed phenomenal evolution in the group's sound from their rock & roll origins - mixing electric and acoustic guitar sounds in a unique meld, they were catchy, memorable, hook-laden pop masterpieces, some with a hard rock edge but more often showing a unique level of precision for the work of a rock & roll outfit. And 'Wonderful Land' also demonstrated a special command of orchestral timbres in juxtaposition with electric instruments (one must also ask how much credit producer, who had cut his share of instrumentals as a recording artist, deserves for some of these successes). After a short transition period, however, the band found their popularity just as great as ever, and a string of hits followed across 1962 and beyond: 'The Savage,' 'Guitar Tango,' 'Dance On,' 'Foot Tapper,' 'Atlantis,' 'Shindig,' and 'Geronimo.' All of those made the Top Ten, with four placing at number one, through the end of 1963, carrying their success into the midst of the rise of the and the Liverpool sound.

The group's first two LPs, (1961) and Out of the Shadows (1962), both topped the album charts as well, and their next three long-players, Greatest Hits (1963), (1964), and, all made the Top Five (the first two at number two). They also continued to appear on stage with and played on most of his biggest hit records of the period.

Was gone by 1964, replaced by, inaugurating the longest-lasting lineup in the group's history, and comprising the Shadows from 1964 until 1973, when 's death eliminated the permanent bassist's spot. From then on, the Shadows would emulate by employing bassists rather than taking them on as ongoing members. Their success was the envy of a lot of musicians, though they were never able to successfully crack the American market as anything more than a cult act - indeed, on that side of the Atlantic, they tended to be thought of in the same vein as, who came along at roughly the same time in the late '50s and have endured at least as long.- often referred to informally as 'the Shads' by their fans - officially disbanded in 1968, on the tenth anniversary of their signing to EMI.

Devoted himself to a second career as a producer and arranger, while and formed a -type trio with in the '70s, with harmony vocals to match. But in spite of some gorgeous recordings, they were never able to leave the Shadows legacy behind, and by 1973, the group had been officially reactivated with as a member. The group remained active throughout the '70s and '80s, switching to the Polydor label with the start of the latter decade and still selling large numbers of records and CDs, as well as concert tickets in England and around the world.

Embarked on a solo career in 1990 which left the inactive for the next decade or so. But they reunited in 2004 for a series of farewell concerts that ended up being extended into the following year, and yielded a live album and a concert DVD.